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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Life of Riley, 2014 by Brett Canet-Gibson

Observation Point

Magazine article by Brett Canét-Gibson, 2018

Portrait photography, by definition, is a collaboration. It is also the grandest of lies masquerading as the ultimate truth.

Patrick White at Centennial Park, 1979–1980

Listomania

Magazine article by Dr Sarah Engledow, 2013

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Portrait 43

June - August 2012

This issue features Cindy Sherman, Tim Storrier, Brett Whiteley and Patrick White, contemporary Chinese portraiture, Charles Blackman and more.

The National Portrait Gallery

A very Australian place

Magazine article by Dr Sarah Engledow, 2009

The National Portrait Gallery's new building, opened on 3 December 2008, is a beautiful home for the national collection of portraits.

Moonboy, 2010

Observation point

Magazine article by Tim Storrier, 2013

Tim Storrier describes the influences on the development of his artistic style.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Self Portrait, Stuart Campbell by Stuart Campbell

The essence of you

Magazine article by Lee Tulloch, 2011

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Orlando and Wilson, 2021 Chris Budgeon

People are people

Magazine article by Sandra Bruce, 2022

Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.

Self portrait

Small worlds

Magazine article by Joanna Gilmour, 2010

Bess Norriss Tait created miniature watercolour portraits full of character and life.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Benny (42nd Street Series), 1979–80 by Larry Clark

City boys

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman immerses himself in Larry Clark’s field of vision.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

George Tjungurrayi

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

Cathy Freeman, 1994

Depth of Field

Magazine article by Lauren Dalla, 2004

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency